KISMIF 2: Vierbergen and Chen

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Research Problem

The Research Challenge was initiated by the following Call For Participation

KISMIF Conference, convened by Andy Bennett and Paula Guerra in Porto, Portugal is, so far, the only congress in the world that analyzes the theory and practice of underground scenes and DIY cultures as increasingly significant cultural forms in a global context of precariousness and uncertainty. In keeping with this year’s KISMIF theme of ‘social innovation in times of global crisis’, we want to use practice research / artistic research / research-creation to explore how practitioners embody socio-cultural and political ideas into their creative work beyond the literal portrayals of lyrical and video narratives.

We are looking for 6 – 8 researcher/practitioners who are planning to attend KISMIF 2026 to participate in a Practice Research Challenge about using DIY production techniques to create a piece of music (with an accompanying video) that embodies some ideological/critical message. (KISMIF conference registration is a requirement of participation).

In addition to making a music video for your new 3 – 4 minute song (or other piece of music), we want you to make a 6 – 7 minute video that explains and demonstrates how else, apart from literal lyrics and images, you used musical or visual metaphors, form, structure or other devices to embody/realize your message – and, with an emphasis on process, how you experimented with ideas to get there.

Then we want you to watch someone else’s video and re-make yours differently, inspired by their ideas. Then we want the two of you to discuss the process and what you may have learned from it. 

This will all happen in May and June and be conducted online. We’ll then hold an event during KISMIF to show some of the work, discuss the process and try to draw some conclusions that are useful for politically engaged practitioners.

It is quite a fast turn-around so please ensure you read the timetable below to make sure you have the time to participate if selected.

The 21st Century Music Practice Research Centre is collaborating with KISMIF to run this – another in our series of our Practice Research Challenges. Those chosen to participate in the project will produce a video which will be published by the researchcentre in conjunction with Research UK’s JISC Octopus.ac format – as a joint authored, DOI allocated, peer reviewed, practice research output.

Think of an idea or approach for experimenting with your music and video making approach. You need to write a proposal that explains not just the ideological/critical theme you are addressing, but also how you will experiment with your musical and/or visual ideas to get your message across. You will need to send your written proposal by 31st March 2026 (max 200 words plus a one page CV).

If you are selected to participate, you will be asked to:

  1. Film yourself experimenting with the idea / approach until you come up with something you think is interesting
  2. Edit together a 10 minute video showing: 
  1. 6 – 7 minutes showing what your initial idea was and how experimenting with it produced new ideas / results – you may want to show things that didn’t work as well as those that did.
  2. the other 3 – 4 minutes is for your music video. Remember – this is about keeping it simple and making it fast, so we’re expecting a DIY aesthetic rather than high production values.

You can combine commentary or annotations (arrows, circles, subtitles etc) with videos of performance.

Phone videos are acceptable. We are not expecting professional-level film-making but please produce the best audio and video quality that you can and please film in landscape rather than portrait format.

Submit the video before 30th April 2026 – we will let the chosen participants know how to submit the video.

As soon as possible after that, you will receive a video by another participant (who will receive your video in exchange). Watch it and do the same thing again using that video as the basis for the same process (i.e. exploring what their ideas stimulate you to do). You might re-arrange or even re-write your song based on their ideas and/or re-edit or re-make your video. It doesn’t have to be entirely new – but it can be…

Next Phase: 

Submit that second video before 31st May 2026 and watch the video the other participant made based on your video.

Before 22nd June 2026 you will film and edit a 20 minute discussion with that participant using Teams or Zoom: 

  1. 10 minutes exploring how the two of you interpreted the challenge – where you think your approach came from and how you reacted to the other person’s
  2. 10 minutes analysing what happened – how your decisions and approaches (and being stimulated by theirs) shaped the outcome.
  3. These videos would then be edited together into a 60 minute video and published by the virtual research centre in conjunction with the JISC Octopus.ac format  – as a joint authored, DOI allocated, peer reviewed, practice research output. The 60 minute format will therefore comprise: 
  1. 10 minute of your first video
  2. 10 minutes of their first video
  3. 10 minutes of your 2nd video responding to theirs
  4. 10 minutes of their 2nd video responding to yours
  5. 10 minute discussion of how the two of you interpreted the challenge
  6. 10 minute discussion of your joint analysis of the process and outcome

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Rationale / Hypothesis

Proposal: Underground Worldmaking in Shanghai’s Clubbing, Drag, and Indie

Mick Vierbergen
‘Underground’ venues and event organisations in Shanghai construct exclusive cultural worlds through the practices of clubbing, drag, and indie. These worlds are spaces of collaborative activity, cultural consumption and production, social connection, and political expression, shaped by music and visual aesthetic styles. This practice research project critically reflects on how ‘underground’ is communally, but pluralistically imagined and how ‘underground cultural worlds’ are collaboratively constructed through the practices of clubbing, drag, and indie in Shanghai. The project builds on my PhD research on clubbing, drag, and indie in Shanghai, for which I conducted fieldwork in 2023 and interviewed over 50 creative practitioners, and allows me to represent my fieldwork data in a new way that highlights the voices and performances within the cultural worlds.
The music consists of three distinct but fluently integrated parts, each representing a different but connected cultural world (clubbing, drag, indie). This will be conveyed through stylistic choices in music and the accompanying video material from my fieldwork. The music will not feature a traditional lead vocal but will use soundbite quotes from the interviews. Taking inspiration from these worlds, I use DIY methods like bricolage and an aesthetic focus on nostalgia in the music video.

Proposal: AI-Generated Video as DIY Cultural Practice

Tian-Hong-ben Chen

This project explores AI-generated video as an emerging form of DIY cultural production. Over the past two years, I have produced more than 1,800 AI-generated short videos and conducted interviews with 14 AI video creators as part of my doctoral research on participatory culture and generative media practices.
For this challenge, I propose to create a short DIY music video that experiments with AI-generated imagery, repetition, and glitch aesthetics. Rather than relying solely on lyrics or narrative imagery, the project will explore how musical structure, visual form, and generative processes themselves can embody ideas about authorship, automation, and creative agency in the age of AI.
The accompanying process video will document my experimentation with prompt design, iterative image generation, editing strategies, and sound construction. By presenting both successful and failed attempts, the project aims to demonstrate how creative meaning emerges through interaction between human intention and generative systems.

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Method

This protocol establishes a structured method for collaborative practice research between two music practitioners through asynchronous video exchange. Participants independently develop proposals and create 10-minute videos exploring a practice concept, technique, or approach. Videos are exchanged, prompting each participant to create a second 10-minute response exploring how their partner’s work stimulates new directions in their own practice. The process concludes with a 20-minute filmed discussion analysing interpretative choices and outcomes. The protocol produces a 60-minute structure, serving as peer-reviewed, DOI-allocated practice research output via JISC Octopus. This method makes tacit practice knowledge explicit and generates transferable insights into practice innovation.

For further details see: https://doi.org/10.57874/s80m-1g18 

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Results / Sources

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Analysis - Coming Soon

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Interpretation - Coming Soon

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Applications / Implications - Coming Soon

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